What I Think Horror Actors Are (and Why It Matters)
Actors make horror come alive, but fans keep it undead. Here’s one Horror Dork’s unfiltered take on why horror is a two way performance and why not every actor deserves the crown.
Actors make horror come alive, but fans keep it undead. Here’s one Horror Dork’s unfiltered take on why horror is a two way performance and why not every actor deserves the crown.
The Phasmophobia Diner map looked small and harmless, until it smoked me on Professional mode. Between getting lost in the kitchen maze and dying to the slowest ghost imaginable, here are my honest (and humiliating) first impressions.
Loomis didn’t just treat Michael Myers, he declared war on him. Armed, obsessed, and maybe a little deranged, he’s the only guy in horror who can make shooting your patient look like the reasonable option.
Guillermo del Toro’s long awaited Frankenstein finally hits Netflix, and it’s every bit as beautiful, gothic, and emotionally distant as you’d expect. A haunting film full of style and heart, but does it truly bring the monster to life?
Let’s get this out of the way first… I haven’t seen Guillermo del Toro’s Frankenstein yet.But before I hop onto
From Pennywise to Art the Clown, modern horror’s greatest monsters all wear makeup. Here’s why today’s generation has turned to the circus for its nightmares.
Ever buy a “New 4K Restoration” and feel like you’re watching a Blu-ray in disguise? This is your guide to spotting the real deal… no OLED required.
Ever notice your favorite horror flicks look a little too bright, too smooth, or too dark? Your TV might be betraying you. Here’s how to calibrate it so The Thing, The Witch, and every nightmare in between look film perfect.
Directed by Freddy Krueger himself, 976-EVIL might be one of the most gloriously 80s horror films ever made. Demons, dial tones, and drippy atmosphere, it’s a forgotten gem that deserves a place on your late night watchlist.
Death’s back, baby and he’s still got perfect timing.
Final Destination: Bloodlines (2024) revives everything that made the franchise fun: absurdly elaborate kills, Rube Goldberg-style chaos, and Tony Todd’s voice whispering from the void. It’s part nostalgia trip, part adrenaline rush — proof that even after twenty years, Death’s still running the show.